Edward Morgan
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Is this the apocalypse?

24/3/2016

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foto: E. Morgan
I witnessed the test run of a recently unpackaged drone yesterday, I forget the model - pricey enough though.

As I watched the drone soar up into the sky, uncomfortably high into the sky, and then saw the images it was producing, I found myself feeling a mix of awe and dread. Awe at the potential of these things, for photography and almost every other field of art and science; and dread at the unstoppable surge of technology we find ourselves facing/riding/drowning in.

For example, this particular drone had been bought to use primarily at weddings. That's right, people are wanting drone footage at weddings now. It still seems pretty incredible the lengths, and costs, that people will go to for photos at their weddings, but now they're getting aerial shots like it was some kind of filmset. I guess that's what it is for many.

Speaking of filmsets, drones and apocalyptic scenes. I recently watched this video (see below) of the destruction of Homs, Syria. Again, another strange mix of feelings. I was impressed and shocked by the scale of the destruction and by this new form of viewing what are effectively battlegrounds, but I also found myself taking a sort of voyeuristic pleasure from the beautiful Hollywood-style sweeping shot of this carnage, similar to how I felt watching the twin towers fall or the tsunami hit. It's that strange "it feels like a movie" feeling.

The jury's still out on drones but whether I accept them or not, they're here to stay.
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What we're missing...

29/2/2016

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Ah the selfie. No more shall we surrender control of our photogenicity to others. We can shoot to our heart's content, or until we get an acceptably fabulous picture of our naturally beautiful selves.
But what are we missing? As we switch to front camera, what's going on elsewhere? Are we really the most interesting thing in our space today?
I am not a great selfie taker. I always end up squinting or looking angry (although, admittedly that could just be my face). So I decided to play around with the idea and show both the selfie (yes, my ugly mug) and what was going on on the other side of the camera at the time.
Work in progress.
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What REALLY makes a good photo?

19/11/2015

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Sainji, India

We're used to 'liking' photos like this one.
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But I can't help preferring this one...
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Crisis Personal - La Huelga

17/11/2012

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¿somos todos iguales?
Crisis Personal es una mirada hacia lo que cada persona llama "La Crisis" y lo que pueda significar a cada uno.

Este "capitulo" sale de la huelga general del 14 noviembre 2012 en Vigo, España. Salí a la calle con el propósito de averigüar las razones personales de estar allí cada manifestante. Mi pregunta "¿Por qué estás en la manifestación hoy?"

Las respuestas - pues no eran tan sencillas. Mucha gente lo tenía claro y concreto pero lo que más me intrigaba fue el hecho de que algunas no lo tenía muy claro. No se puede negar el hecho de que nos afecta a todos ese fenómeno llamado "Crisis" pero no nos afecta de la misma manera

Entonces, ¿por qué no lo tenemos claro?

"Por el futuro"

"Por no perder los derechos.."

"Por los presos politicos.."

Bomberos

".. prestar mi apoyo.."

"La congelación de mi sueldo"

Ver todos los videos de Crisis Personal en mi canal de Youtube aquí
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About

Edward (Edi) Morgan is a photographer, artist, storyteller and creative cowboy based in Vigo, Spain, working both nationally and internationally.

(+34) 649 349 763
edward [at] edwardmorgan.net
Unless otherwise stated, all content © Edward Morgan 2016

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